Streaming My Consciousness

Since there’s been a flurry of interest lately on my series of posts on live church streaming, here’s an index to the entire set of posts:

• Live Streaming On a Budget (Part 1) – Genesis
• Live Streaming On a Budget (Part 2) – Encoding
• Live Streaming On a Budget (Part 3) – The Process
• Live Streaming on a Budget (Part 4) – How it works
• Live Streaming on a Budget (Part 5) – Automating EC2
• Live Streaming on a Budget (Intermission) Speedlinks!
• Live Streaming on a Budget (Part eleventy) – Metrics
• Live Streaming on a budget: Wowza Load Balancing (Part … um.. how many is it now?)
• Live Streaming on a Budget (Part eleventy point one) – Metrics Revisited

• MIDI Control Surfaces
• MIDI Surfaces: Korg NanoKONTROL
• MIDI Surfaces: Behringer BCF2000

For the benefit of the less technically inclined, I’ve moved scripts and code to their own section and updated posts that contained the code with links to the appropriate page.

Back in July, I made a post about metrics and a cheesy VB Script that got the job done, but wasn’t particularly elegant. I’ve since improved on this due to load balancing (I posted about that in September).

I’ve since then learned a bunch about RRDTool, and have put together a script that pulls the XML data, groks it, and then populates an RRD. The net result is that I get a graph like this:

This graph gives me the following information: The iPhone stream count (with a 10:1 vertical exaggeration), the Flash stream count, and the total viewer count, which is the sum of Flash and iPhone streams, multiplied by a factor of 1.7 (which we’ve found reasonably reflects how many actual people are watching, versus streams. Then the vertical red line shows the time the peak occurred, and the horizontal line shows the level of that peak. The actual peak numbers are listed on the bottom. The RRD and the graph are set up to take into account Windows streams, just as soon as I find a good way to pull that data from WMI via perl.

The general operation is as follows: There’s a script that’s started in a cron job 10 minutes after the servers are spun up, and it polls the origin server every 10 seconds for its counts and populates the RRD. There’s another cron job that runs every minute to generate a current graph, which is then displayed on a page with some javascript that refreshes the image in realtime. Then, at 12:15 and 6:30, there’s another cron job that takes a snapshot of the previous two hours, puts it into a web-accessible directory, and appends an HTML file with a link for easy access later.

All of the metrics scripts, automation scripts, and graphing tools live on a linux virtual machine that runs on our central campus.

This is big improvement over dumping a vbscript into a CSV and then graphing manually with Excel. This happens automatically, in real time, without me being there.

I ran up to Musician’s Friend this afternoon with C so that my wife could have some peace and quiet to work on seminary and candidacy stuff, and picked up a Behringer BCF2000. It’s so very handy to have the MF outlet locally (their distribution warehouse is up near Liberty, MO), and it’s unfortunate that they’re closing the outlet center at the end of the year.

Unboxing

The BCF2000 is a substantial unit with some heft. The box contains the unit, a 6′ USB cable, 6′ power cord (no lumps or wall warts!) and a documentation pack containing a set of manuals in a number of languages, a catalog, and a sticker. The controller is roughly the size and weight of one of their 8-channel baby mixers. Unit is reasonably well  built and heavy enough that it’s not going to unintentionally wander off the desk

Using it

The documentation is pretty straightforward, considering the plethora of operating modes this device provides for routing MIDI signals. While this unit isn’t nearly as easy to program as the Korg Nano (which uses a GUI that writes programming changes to the unit), it doesn’t rely on any external software to do its thing. The 8 rotary encoders at the top are all you need, and once you get used to it, it’s pretty simple. ETA: Behringer does provide a Java app that lets you do visal programming from the desktop. Very cool.

The B-Control also has the technical yumminess of motorized faders and presets, which make scene changes easy.

Speaking of scenes, one of the big downsides to the unit is that 8 faders is all you get. The only controls that have scene capability are the rotary encoders at the top, which can have up to four scenes (helpful for EQ settings), but no such luck on the faders. The Korg Nano would do multiple fader scenes quite easily. On the other hand, you can gang a bunch of these together through standard MIDI connections.

ETA: I stand corrected. The presets on the BCF are not just for fader positions, but for programming as well. There are several of these.

Random cool tool: MIDI Sniffer – allows you to see what’s coming across the wire.

Tomorrow, we’ll see how well it plays with the VT5 machine.

I got the OK from Clif to get the VT5 MIDI interface from Dhomas, and a control surface. The first one to try, simply by virtue of its ready availability at the local Guitar Center was the Korg NanoKONTROL.

This is a USB MIDI device in a plastic shell that’s meant to look suspiciously like one of its parents was a white MacBook. The device offers 9 sets of a fader, a knob, and two lighted buttons, as well as a 6-button set of transport controls and a scene selection button that lets you cycle through 4 different scene presets. It definitely doesn’t have the build quality of the Mac. For sixty bucks, you can’t expect much, though. Faders, knobs and buttons feel cheap. No software is included with the device, with Korg directing customers to their website to download a driver (optional, it works with the standard Windows USB MIDI driver, but the Korg driver offers some additional functionality. For the people who actually use MIDI for, you know, MUSIC, you’ll be happy to know that this device has two siblings, one with a set of pads, and the other is a 2-octave keyboard – all three are available in black, if you don’t like the Apple Fanboy shade of white.

Programming the unit requires Korg’s software, the Korg Kontrol Editor. It presents a UI that is more than a little reminiscent of a mac (this is aimed at music people, after all) that lets you set the parameters for each control on the unit. As of this post, the software is in version 1.0, and is only able to send CC and MMC commands, and there’s no option for any PC commands. Given that several of the items I want to control on the VT5 require PC commands to change, I find this to be a major shortcoming. Buttons can be set to toggle on/off or be momentary, with attack/decay controls along with what values are represented by the on and off states of the buttons. Similarly, the fader settings allow you to define values for top and bottom, allowing you to reverse the operation of the faders.

On the VT5 side, I downloaded the demo version of MIDI-VT, which allows only the control of the output faders on the VT5’s software audio mixer, but I was able to configure the NanoKontrol unit with very little difficulty, and controls on-screen are very responsive to the fader inputs on the external device. It’s considerably easier than using the mouse. Unfortunately, MIDI-VT doesn’t currently support MMC commands for DDR transport operation.

I contacted Korg about the PC issue, and they responded “As a product that is only designed to be a MIDI controller, it wouldn’t be used nor is it intended for system control that would ordinarily be handled via mouse and keyboard”. Sorry, Korg, that’s not gonna cut it. I want to use this precisely to AVOID using mouse/keyboard controls. Guitar Center, you can have it back.

Overall, this is a great inexpensive solution for an audio mixer control surface in VT5, but Korg’s lack of support for PC commands on the unit severely limits its usefulness for anything beyond the audio mixer.

This post is mostly for my own reference, but putting it out there for anyone else looking for MIDI control surfaces that can be used with VT5 by way of dhomas’ MIDI-VT software. Much discussion on the NewTek forums here. Primary objective is physical control (as opposed to on-screen) of the VT5’s internal audio mixer, with secondary objectives being able to easily control some remote camera parameters like iris/gain/shutter/focus as well as DDR and capture transport controls.

Here’s what I was able to round up so far — I’m starting to understand why keyboard people are gadget freaks (and often broke):

PreSonus FaderPort, $130. Looks like this would be a great controller for both DDR and Capture modules. Despite not having any MIDI ports, this is in fact a MIDI device, which presents itself to your computer as an independent USB MIDI controller. This could potentially pose a problem if you start getting a lot of these. Price is very attractive.

Novation Zero SL MkII, $400-$500. This one just looks cool. Lots of great feedback features, but I’m not sure the plugin can take advantage of them. Good blend of buttons, knobs, and faders.

Akai APC40, $400-$600. Holy buttons! I want one of these just to program the blinkenbuttons. I’m sure I could find a use for all those buttons.Did I mention buttons?

Korg NanoKontrol, $60. Not a lot of buttons on these, but they’re dirt cheap and you can have a bunch of them for different stuff.

Behringer BCF2000, $150. This offers huge bang for the buck, and the VT5 people love it. It also has a cousin with lots of knobs, the BCR2000. Offers USB MIDI controller as well as traditional MIDI ports.

Evolution UC-33, $150-$200. Can’t seem to get much manufacturer information on this one, wondering if it’s discontinued. Looks similar to the Behringer.

Livid Ohm64, $600. This is just a thing of beauty. Buttons and faders and blue blinkies, oh my!

Any others that you MIDI freaks out there have used and like?